Life is unpredictable and everyone has their own problems to solve. Lazy Bones is an Australian film directed by Michael Jones. Lazy Bones explores the life of main-character Ben who is an aspiring stand-up comedian and also works as an Uber driver.
The thing I liked about this film is the relatability and authenticity of the storyline. I found myself feeling sympathetic for Ben, as I could relate to a lot of the things he was going through during the film. I liked how the story line had a lot of balance. There were comedic scenes which gave contrast to the deep and meaningful ones. I also liked the technical production of the film. The interesting camera views and angles gave the storyline a unique feel.
However, there were some flaws in the film’s production. I didn;t like the shaky camera and some of the framing for the shots. How could the camera shake so much if it was on a tripod? Sometimes the subject was offscreen when it should have been in the middle. While the story is engaging, the plot is unclear and sometimes confusing. For example, all I saw was the story of a man trying to get his life in order. Lazy Bones plot was almost non-existent.
Overall, I really enjoyed this film. Although there were some problems with the technical aspects of the film. The story made me invest in the characters, particularly the main protagonist Ben. 7 out of 10 for me!
Dogs are a man’s best friend. And a woman’s best friend. This film follows the journey of director Gillian Leahy, as she faces many adversities throughout her life. The film explores and reflects Leahy’s relationships Leahy shares with her present and past, four legged friends.
I like how the film explores the intimate relationship between Leahy and her current dog, Baxter. From the sentimental scenes of her and Baxter in the house to the hard-felt scenes toward the end, these were the highlights for me. These scenes presented the pure and unconditional love between the two. Another thing that I enjoyed about the film is that the story is very engaging. The film showed many photos of Leahy’s early life and you can see her journey in her life.
“Too many dogs died in Leahy’s life. I understand that most of them were accidents, but can she mention some of the dogs that didn’t die!?”
This life, however, is not without its faults. The biggest issue is how utterly boring it is. Seriously, it just drags on for so long. It doesn’t help that the story line travels back and forth, between past and present. I think that if the film explored a single interesting part in Leahy’s life, for example, a drama-recreation or a current representation, it would have made me enjoy the film more. Another problem I have with this film is that some of the scenes are not necessary and waste so much screenplay! They do nothing for the story or atmosphere and go on for too long. These drawn out scenes resulted in my lack of understanding of why the scenes were there, as well as whether I should continue watching. Too many dogs died in Leahy’s life. I understand that most of them were accidents, but can she mention some of the dogs that didn’t die!? It’s depressing and it seems like she was cursed. I felt no emotions from hearing Leahy recount the tragic fate of all the dogs because her narration lacked substance.
Overall, I did not like it. If you are a woman and have dogs, maybe you might like it. I certainly did not. 2 out of 10 for me!
James Bond is one of the most iconic characters in the world of literature and pop culture. Originally being a series of books written by Ian Fleming, it has turned into a series of films where many actors play the role of Bond. One of those actors is an Australian model called George Lazenby. This film is a documentary-drama on the life of Lazenby before, during and after playing James Bond.
Let me tell you- this film is amazing! I love the way the documentary mixes Lazenby’s interview with the drama re-enactments. One of the best things about this film is how personal it is. In some moments, Lazenby replaces his vocal audio with the audio of the characters which creates a more authentic feel. The film also creates genuine moments where we feel the emotions from the characters. For example, when something happens to the Lazenby character, the “real-life” Lazenby reflects on it.
Everything is beautifully made and authentic. Throughout the whole film, I couldn’t think of anything I disliked. Everything seemed so legitimate, which made it seem so much more believable. In my opinion, many documentaries lack this quality. By showing the ups and downs of Lazenby’s life, it allows the viewer to learn from him and reflect on their life.
Overall, this film is perfect! A must-watch documentary that has elements of re-enactment from actors and news archives. 10 out of 10 for me!
[REVIEW] TORO Y MOI – BOO BOO
Toro y Moi (aka Chaz Bundick) takes you on a drive through dreamy landscapes of sound, stories of lost love and a search for connection, in his latest 80’s inspired R&B pop-electronica project: Boo Boo. Boo Boo shows how much the Singer-songwriter-producer has grown sonically and lyrically. There’s no doubt that Chaz’s 2017 release Boo Boo is a solid and well thought out project. However, it seems Chaz is still holding back from his full potential.
The album kicks off with layers of drawn out synth, which builds a vast, dreamy sonic landscape. The opening track “Mirage” set’s the tone for the rest of the project. Chaz busts downtown rhythms, adding more layers of vocals, claps and synth. Throughout the rest of the first quarter, it seems Chaz is in a state of confusion, reflecting on himself and his past relationship as he realises “Mona Lisa” (the girl he’s deeply in love with) got tired of his lack of commitment – “My baby got fed up with my ego”.”Pavement” takes a dark and twisted turn. Haunted, deep piano keys chime to reveal a feeling of emptiness as voices echo around the track before finding some sort of groundedness in Chaz’s whisper-like lyrics (the breakup?). Chaz attempts to find his feet in “Don’t Try”. He tries to make sense of the dark situation he’s in, “Woke up only cos I had to”, “Don’t try and understand what you are”. “Windows ” echoes new-wave R&B before the instrumental “Embarcardo” slowly opens up a new chapter in his life. Chaz is in love again, which is shown in one of his more upbeat tracks “Girl Like You”.
He’s tired of playing games and is confident she’s the one for him – “I can meet you downtown, take you where you want to be tonight”. Chaz experiments with contemporary hip-hop and R&B tones as he uses vocal production reminiscent of up-and-coming rapper-producer Nav – “From the bottle, no cup”. Finally, he’s found the connection he was looking for. In “You and I” he realises she was there all along, and that he was just thinking too much.
The 12 track LP shows that Toro y Moi, creatively, hasn’t slowed down. Boo Boo adds another dimension to Chaz’s variance in sound as he introduces elements of contemporary R&B and hip-hop covered in nostalgic 80’s soul. Boo Boo is personal and tells a story, but I think even Chad feels the emotion is a bit over the top (as the title mocks his own soft side). The album feels washed out at times, and occasionally goes overboard with the nostalgia, losing groundedness throughout its journey. But overall Boo Boo is a solid production, creative and accomplishes what it set out to do. Perfect for a scenic sunset drive (As shown below).
FAVOURITE TRACKS: Mirage, Girl Like You, Labyrinth
Young Thug is truly one of the leading contemporary creative forces in Hip-Hop’s wave/ evolution of trap-pop sub-genres. ‘Beautiful Thugger Girls’ isn’t much of a stylistic advancement in terms of his start-stop flow and roaming, stream-of-conscious lyrics – preaching about his extravagant lifestyle. But there’s a difference in tone that reinforces Young Thug’s originality.
Thugger rides the recent wave of organic sounds worked into trap, however there’s no flute instrumentals here. Similar to Post Malone’s 2016 single “Go Flex”, ‘Beautiful Thugger Girls’ seamlessly fuses R&B vocals, acoustic guitar instrumentals and trap kicks. The 14 track LP gives an insight into the numerous relationships around the 26 year old. Whether it’s with the women in his life, his 8 kids or his self perception. Although I wouldn’t look too deeply into this project’s inner meanings.
It’s stacked with bangers, but it’s not what you’d expect. Stand out tracks like “Daddy’s Birthday” present hooks that are mellow yet punchy -“New coupe, new shoes, ooh” “Red bottoms, I’m kicking shit, yeah I’m flossing on you fools”. “You Said” fully exposes Young Thugs talents as he serenades and flows over fast Spanish guitar work- “Say now, ooh, ooh, ooh”. Young Thug stays true to his original description of the album being a “Singing album”. However, toward the middle of the album, his tracks become more shallow and bland. “On Fire” takes a minimalist turn compared to the rest of the album. The instrumental plops and bobs, expose Young Thug’s lacklustre repetition of simple, throw away flows. Even his feature with Snoop Dogg and Lil Durk was a slight disappointment. Although his creative lines gave the track some humour – “Roll up some gas, I’m not talkin’ a car”. The album ends on a positive note with “Take Care” followed by “For Ya’ll (feat. Jacquees)”. “For Y’all” is Spanish-trumpet-and-Flamenco-guitar-pop which keeps building on the good vibes. Thugger’s creativity paid off once again, as he produced a menu of tracks that have organic originality and are catchy as hell.
FAVOURITE TRACKS: For Y’all, Relationships, Daddy’s Birthday
Science Fiction/ Drama (2017)
Director Bong Joon-ho brings a whole lot to the table with his latest Science fiction/ drama; Okja. As a lover of independent films, this one caught my eye. However, to my surprise, it was filled with many familiar faces from Hollywood. These included Tilda Swinton (Hunger Games), Jake Gyllenhaal (Donnie Darko), Giancarlo Esposito (Breaking Bad). However, this wasn’t necessarily beneficial for the film. The story follows a young South Korean girl who lives in the mountains with her Grandfather (a farmer) who was nominated to look after a genetically modified Super-Pig as part of a 10-year competition. The Super-Pigs were designed to put a stop to world hunger in an ethical and sustainable way – but is this the case? Okja is taken by the multi-national corporation and Mija begins her rescue mission to save her beloved animal. The film served as consistent entertainment throughout, from the heartwarming bond between Mija and Okja to the comedy and the shenanigans of the Animal Protection Rescue characters. There were also many various on-edge moments regarding Mija’s mission to save her beloved pig from becoming extremely tasty bacon. The story was creative and thought-provoking, the cinematography was outstanding. As a viewer the film definitely made me reflect on my own eating habits and the ethics of farming. Not for very long though as I was enjoying various mince filled party pies throughout the viewing (laughs). However, I feel like the most annoying characters in the film were the ones from Hollywood. Jake Gyllenhaal played an estranged animal doctor who only showed his love for animals on camera. Although his character was probably meant to be disliked – it was too much for me. Giancarlo Esposito always does an amazing job of being a villain with untouchable power and Mija’s actor (Seo-Hyun Ahn) honored her career’s debut.
Okja is a great film for these cold Perth nights. So put on some extra layers and dive into the 2 hour Netflix Blockbuster. Heartwarming but it will keep you on the edge of your seat. Beautiful cinematography 4/5.
Your favourite 90’s divas TLC are back and in great shape after 15 years. It’s been a long road for the trio of Tionne “T-Boz” Watkins, Rozonda “Chilli” Thomas and Lisa “Left Eye” Lopes who created smash hits Waterfalls, No Scrubs, Creep, and Unpretty. The full-length self-titled LP features a total of 17 tracks. Some of the stand-outs include “It’s Sunny” a summer pop track with instrumentals from “Boney-M – Sunny”, “Perfect Girls” a mellow RNB acoustic groove hooks “Perfect girls ain’t real” which could have easily been on their classic debut “FanMail”. “Aye MuthaFucka” pumps a confident club jam that proves there’s still no messing with TLC.
Steam now on:
Dreamworks is one of the best animation studios in the world. They are responsible for a huge chunk of people’s childhood, especially for me. Dreamworks make great, popular franchises and stay true to their name. From Madagascar to Shrek – they all had great ideas, stories and characters. This is also the case for Kung Fu Panda 3. Kung Fu Panda 3 was directed by Jennifer Yuh Nelson and Alessandro Carloni and features the voices of Jack Black, Angelina Jolie, Dustin Hoffman and many more.
The main thing that makes a good sequel is the ability it has to reflect on the past. Sequels should be able to either explain the events of the previous movies or mention the events of the previous movies. Kung Fu Panda 3 does this right from the beginning. The main plot of the film revolves around Kai, a yak, stealing chi from different masters and turns them into his jade army and it is up to the Dragon Master Po to stop him.
Things that make this film great: 1) Master Oogway is back! 2) It explains a lot of the things that have happened in the first film. So if you have questions after watching the previous titles, this one should answer all of your questions. That is not all! The main antagonist, Kai, is a super-badass! He literally steals the master’s Ki (part of Chinese philosophy and medicine) turning them into fully coated green zombies which are under his control! That is awesome! He is definitely a great villain. Not only that but the humour is great! There were a lot of laughs especially when Po gets shocked that all of his friends and become green only to say to Matis “Except for you Mantis you were already green” was awesome!
Things that I slightly disliked: 1) The Furious Five play a little role in this film except for Tigeress, 2) It still keeps the annoying gimmick of Po being amazed of his powers and 2.5) Jackie Chan’s role in it. I didn’t mind him playing a secondary character in ‘The Karate Kid’ because he had great scenes, but his character of Monkey doesn’t get much exposure in the film.
Other than those things, I really enjoyed it and think it’s the best of the series so far. It has an interesting plot with an awesome villain. I give it 4.5/5!
If you want me to review something please let me know via the comments below or via the Facebook page.
Advertised as a war set comedy/cabaret, ‘Ruby Red Fatales’ provides relief and enjoyment from the first haunting dance to the last cheeky remark. What began as a typical (but sexy as all hell) 20th-century burlesque dance, quickly changed its tone to one of romance and humour.
While not intentionally serious, the romantic story-arc does gently pull on the heart strings. This provides a great counterbalance for the fusion of slapstick comedy and obvious double entendres that flitter about.
For me, there is two stand out points to this show: Firstly, the highly effective blend of comedy incorporated into song. It’s just a beautiful way to experience laughs that’s both appropriate to the context of the story, and refreshingly different from stand-up.
Secondly, and a point that I often find underrated, is an atmospheric jazzy band playing in the background. With a score seamlessly integrated into dialogue and song, you begin to forget they’re there. Sorry guys – Please take it as a compliment!
I would recommend this specifically for people who love a mixture of comedy and theatre over stand up. Or, any musicians who are after an appreciative evening – look no further.
If you’re a purist and rather isolated genres rather than a fusion, perhaps look towards something else. This show is the whole package, but that comes at a cost. That cost (for some) is a compromise between the different aspects of theatre.
Worth a see? Yeah, go on. Go grab a few drinks and head over for the late start to cap of your night. Is it for everyone? Probably not. Some people hate fun, so decide if that’s you.
In a rehearsal room downstairs of the State Theatre Centre I was one of the last to enter and crossed the floor to my seat. There was a man sitting on a couch in the middle of the stage but he was already in character, and barely noticeable. It was a low-fi stage setting of a small apartment where all but blended pineapples would occur. Door frame, couch and packing boxes provided the hardware to this Megan Hollier and Gemma Hall project, that pits two opposing characters against each other for a night of introspection and cocktails.
Charles (George Ashworth) has just stopped packing his apartment to have dinner, unaware as to how his night was about to change, when Mia (Megan Hollier) bursts into what she thinks is her front door. The clash of characters is non-more apparent than at first impression although throughout the play this was a pairing that didn’t match. The dissonance created by the two allows for personal revelations and conversations that wouldn’t normally be had.
The ambitious introvert and the happy-go-lucky extrovert is always a favourite pairing of mine and it is no different on this occasion. Odd Socks is well-paced and Megan and George give great performances. It traps you in its awkwardness early and lets the actors open it up toward the end and they deliver a great climatic scene.
Odd Socks is on tonight and tomorrow (Sat 4th) at the The Flaming Locomotive Engine Room, State Theatre Centre.
See the Fringeworld website for tickets and showtimes.